If you like Fennesz, you may also like:. Agora by Fennesz. This is my first vinyl I purchased, the price is worth the ethereal ambiance. Very well done! Captain Lovett. Everywhere at the end of time by The Caretaker. Black Sea by Fennesz. Like the cover might suggest, Black Sea feels like being submerged in a rising tide.
It's Fennesz most patient release, but for those willing to wait, there is a whole world of decaying beauty to see. Asakusa Light by Soichi Terada. The Japanese producer and video game composer pares house music down to a singular statement of beauty. Bandcamp Album of the Day Jan 12, Rosen EP by Ellen Allien.
Postmodern futures clash with untamable rave energy across this four-track EP from veteran Berlin producer Ellen Allien. The Kaizo Manifesto by Kaizo Slumber.
Libyan-German producer Kaizo Slumber channels the optimistic spirit of '90s and early s retro-futurism into a stunning vaporwave suite.
Jesse Austin. Clay Rendering. Liam Lynch. Paul F. Jeff Kroeger. Zach Mason. Drew Metzger. Taylor Hawks.
The Silences. David Sexton. Scott Whittaker. Thomas Graham. Nicholas Lessins. Topher Mathrusse. Scott Murchison. Eric Carlson.
Chris Thornhill. Kes Seymour. Keith Quick. Micah Johnston. James A. Close View Full Product. Item added to your cart. CD Unavailable. Create Gift Voucher Add to Cart. Read More to76cd. Artist Travelogue feat. He's been busy, but people who don't follow this music closely probably haven't noticed. They've been waiting for a new solo album, preferably something that might cross over from the "electronic music" racks in the way that 's monumental Endless Summer did.
But Fennesz's unhurried approach to his solo work has yielded dividends. Since he takes so long between proper Fennesz records, the release of a new one still feels like an event. Black Sea , which again finds Fennesz working primarily with guitar and computer, is his first solo album since 's Venice , the follow-up to Endless Summer.
It's tempting to compare this record with its predecessor based on the characteristically striking cover art, once again by Touch label founder Jon Wozencroft. Where the Venice sleeve featured a lone rowboat bobbing in rich and impossibly blue water, Black Sea sports a shot of an industrial skyline across a filthy-bottomed straight at low tide.
The image and title suggest that we're in for something colder and comparatively grim, and even though that's only partly true, such subtle shading via imagery has always been important with Fennesz albums.
What is apparent right off the bat is that Black Sea finds Fennesz painting on an especially large canvas.
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